Promoting Intellectual Film Culture Since 1973
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About Film InternationalFilm International started in 1973 as Filmhäftet in Sweden and has through the years recruited contributors among the most distinguished scholars and journalists around the world. The last issue of Filmhäftet (no.124) came out in November 2002. In 2003 the journal changed its name to Film International and became an all-English edition. Film International is completely independent from big media. Which is why we need you as a subscriber. Film International focuses on longer essays with in-depth-analysis, but it also features interviews, festival reports and an extensive review section on books, special DVD editions and films at the cinema. In late 2004, Film International underwent a minor re-organization, and is now functioning as a non-profit cultural organization, dedicated to promoting intellectual film culture through our printed magazine and its online equivalent. The views and opinions of all signed texts, including editorials and regular columns, are those of the authors, and do not necessarily represent or reflect those of the board of editors. Get in touch! Chairman Online Editors Joy Britt, joy.britt [at] filmint.nu Review/Festival Editor Contributing Editor Image Editor Intern Style Guides Contributors are advised to carefully read the Film International style guides, available here. Review Items Contributors are advised to periodically check this list of available Film International review items. Contact Review Editor Liza Palmer for more details. Copyright and Publishing Articles with Film International While you, the author, retain the copyright to your intellectual property, by accepting Film International's offer to publish from the Editor-in-Chief you are entering into a presumptive binding contract and, by such, transferring the right to publish this material solely upon Film International. Film International will make every effort to publish your text in a timely manner; however, we reserve the right to delay publication due to unforeseen circumstances (i.e. matters of space, adherence to style or publication guidelines). If Film International is unable to publish your text in the expected timeframe and you wish to seek other publication opportunities, you must first request that the contract be terminated. Film International allows authors to publish postprint versions (i.e. the final version of record, usually in Microsoft Word form, prior to layout and publication in Film International, either in print or online) of their articles, for self-archiving purposes only on personal websites and/or in institutional repositories, providing that: (1) it is at least two years from the date of original publication in Film International (in print or online); and (2) it fully acknowledges Film International by referencing the bibliographic information from the published version. Copyright and Publishing Reviews with Film International While you, the author, retain the copyright to your intellectual property, by accepting review items from the Review Section Editor you are entering into a presumptive binding contract and, by such, transferring the right to publish this material solely upon Film International. Film International will make every effort to publish your text in a timely manner; however, we reserve the right to delay publication due to unforeseen circumstances (i.e. matters of space, adherence to style or publication guidelines). If Film International is unable to publish your text in the expected timeframe and you wish to seek other publication opportunities, you must first request that the contract be terminated; and in the instance of reviews, where you, the author, have received compensation in kind for your services (i.e. a book, DVD), your request may be denied. Film International allows authors to publish postprint versions (i.e. the final version of record, usually in Microsoft Word form, prior to layout and publication in Film International, either in print or online) of their articles, for self-archiving purposes only on personal websites and/or in institutional repositories, providing that: (1) it is at least two years from the date of original publication in Film International (in print or online); and (2) it fully acknowledges Film International by referencing the bibliographic information from the published version.
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