Now a Believer: Caroline Golum’s Revelations of Divine Love

By William Blick. Made for about $200,000 through crowdfunding via way of Brooklyn, Revelations achieves the scope necessary for a fascinating, faithful telling of the spiritual and historic journey of Julian of Norwich.” Different stories of religious faith and suffering have manifested themselves in one way or another in cinema […]

Power of Solitude: Chen Deming on Always (Cong Lai)

By Yun-hua Chen. The film records the solitude of childhood and shows the power of poetry within that solitude.” Black and white, left-behind children, rural China – Director Chen Deming, in Always, uses a familiar formula to bring out a unique layer of poetry and coming-of-age. The Chinese title, Cong […]

Dead Souls on the U.S. Border: On Alex Cox’s “Final Film”

By Jenny Paola Ortega Castillo. Alex Cox, in what may be his final film, smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold, timely political Western situated in the borderlands of the 19th-century American West.” Alex Cox’s newest release Dead Souls (2025), stands as a […]

Questioning Authority: Jim Towns’ Mercy

By William Blick. Towns’ is unafraid to ask hard questions about education, religion, morality, censorship, gender bias, and civil rights. He does so in the format of a dystopic, sci-fiction vehicle in 90 minutes on a limited budget, with limited actors, to impressive results….” Jim Towns’ new film, Mercy is […]

Small Nuances: Bernhard Wenger on Peacock

By Ali Moosavi. We were working on small details like what it means to be lost for so long over the course of the movie; Matthias just stares and looks a lot throughout the film. We were working on small nuances….” Austrian Bernhard Wenger‘s debut film Peacock has been selected […]