A special issue on new Swedish cinema, guest-edited by Erik Hedling. Also in this issue: Reviews, columns, and more!Contents Film International #35
Editorial
by Erik Hedling (Guest Editor)
A New Deal in European Film? Notes on the Swedish Regional Production Turn
by Olof Hedling
The Black Pimpernel: The Biopic as a Mediator of the Past
by Tommy Gustafsson
Cinematic Sex Education in the Twenty-First Century: Narration, Reflexivity and Sexuality in Kärlekens språk (2004)
by Elisabet Björklund
Marcimainstream? History in Two Contemporary Swedish TV Series
by Mats Jönsson
Hollywood in Sweden: Cinematic References Imagining America
by Ann-Kristin Wallengren
Can Anyone Help These Men? A Portrait of Men in Successful Contemporary Scandinavian Cinema
by Anders Marklund
The Arn Franchise: Launching a Small Country Blockbuster
by Erik Hedling
Film Happenings
by Liza Palmer
DVD Reviews: Olivier's Shakespeare (Will Gartside), Phantom Museums: The Short Films of the Quay Brothers (Lars Gustaf Andersson)
Book Reviews: Action Speaks Louder: Violence, Spectacle, and the American Movie (Adam Irving), Erich Wolfgang Korngold's The Adventures of Robin Hood: A Film Score Guide (Jack Curtis Dubowsky), The Matrix Trilogy: Cyberpunk Reloaded (Mike Dillon), Feminist Auteurs: Reading Women's Film (Dr. G.S. Larke-Walsh), The Unsilvered Screen: Surrealism on Film (Lars Gustaf Andersson), Leni: The Life and Work of Leni Riefenstahl (Ruth Starkman), F is for Phony: Fake Documentary and Truth's Undoing (Elizabeth Wiatr)
Festival Reports: Cannes 2008 (Jan Lumholdt), Banja Luka International Film Festival 2008 (Ryan Prout)