Contents Film International #42

Editorial
by Jeffrey Crouse

Great Art on a Jukebox: The Romantic(ized) Voice of Bob Dylan in I'm Not Here
by Ian Garwood

The Mixture of Genres in Two Films by Howard Hawks
by Diane Stevenson

The Gift of Amnesia in John Brahm's The Locket
by George Toles

Romance, Eroticism and the Camera's Gaze in Jean Genet's Un chant d'amour
by William Rothman

An Aesthetic Approach to Contemporary British Social Realism: London to Brighton
by Stella Hockenhull

Interview: Jane Campion
by Moira Sullivan

DVD Reviews: The Threepenny Opera (David P. Foster)

Book Reviews: Looking Past the Screen: Case Studies in American Film History and Method (James Steffen), Digital Storytelling: The Narrative Power of Visual Effects in Film (Ken Provencher), "Evil" Arabs in American Popular Film: Orientalist Fear (Liz Stephens)

Around the Circuit: San Sebastián 2009 (Jan Lumholdt)